Kant after Duchamp
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Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's ready mades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical this is beautiful with this is art. De Duve employs this shift (replacing the word beauty by the word art) in a rereading of Kant's Critique of…
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- Author: Thierry de (Stanford University) Duve
- Publisher: MIT Press Ltd
- Year: 1998
- Pages: 504
- ISBN-10: 0262540940
- ISBN-13: 9780262540940
- Format: 16.7 x 22 x 3.2 cm, minkšti viršeliai
- Language: English
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Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's ready mades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical this is beautiful with this is art. De Duve employs this shift (replacing the word beauty by the word art) in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.
Sold out
- Author: Thierry de (Stanford University) Duve
- Publisher: MIT Press Ltd
- Year: 1998
- Pages: 504
- ISBN-10: 0262540940
- ISBN-13: 9780262540940
- Format: 16.7 x 22 x 3.2 cm, minkšti viršeliai
- Language: English English
Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's ready mades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical this is beautiful with this is art. De Duve employs this shift (replacing the word beauty by the word art) in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.
Reviews